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And also here:...The high point for Jeffery Lee Pierce was an introduction by Kim Salmon to a Japanese girl from the audience. This was Romi Mori who had just taken the photos for inside the gatefold sleeve of the Smiths' compilation LP Hatful of Hollow. She was to be the love of Jeffery Lee's short life and later bassist in the second main period of the band...As they toured the US, the record label was giving Jeffrey a lot of hassle over the disbelievability of a Japanese girl as a musician. The band were also getting a lot of racism from their audiences...
...Nick Sanderson had returned to the Gun Club rhythm section at the time of the recording of the 1993 LP...Sanderson was growing closer and closer to Romi Mori while Pierce was chasing her friend band photographer Kayo Hosaka. Mori and Sanderson embarked on an affair, eventually eloping in 1994. This left the band without a rhythm section and Pierce with a broken heart. The heartbreak is supposedly the contributing factor to him switching back to self-destruct mode...
he also considered creating a new musical form, 'Rapanese' (which would have combined rap with the Japanese language)
Mulboyne wrote:Their PR stint with the Sunday Times didn't work out very well.
Mulboyne wrote:"Koto Girl" by Paul Gilbert, formerly of Mr Big, from the album "Alligator Farm" (2000)
30 second MP3 clip here.
Nice one. Photographic evidence here:Taro Toporific wrote:At 6:45pm on NHK BS2 tonight, there was an interview with heavy metal guitar guru, Paul Gilbert, formerly of Mr Big. On the show, in English, Paul describes that his Japanese wife, Emi, provides the only way for him to play written music since he can't read music.
Jack wrote:If those pictures are real, this Noriko is one sluty babe.
Alesi's wife, on the other hand, looks hot as it can be.
gboothe wrote:Glad to know Norko is beneath your class Jack. I guess I'll just have to take her instead!
Catoneinutica wrote:Couldn't be arsed to find out whether this "Anglo-Japanese designer-duo phenomenon" is spouse-d
Mulboyne wrote:Yup, married (and back on page 9). Good photo, though, a worthy contribution.
He's a weed-smoking Trailblazer.. But one of the most annoying commentators.. Fuck, he was terrible to listen to..Mulboyne wrote:Bill Walton..
Behan wrote: He would have been a great player if he had been healthy, a lot of people think anyway.
American Oyaji wrote:So I guess the previous comments about his career were full of bugsquat?
Fulton grew up in Baltimore, and was DJing there by the age of 13...Starting in 1990 he began playing in clubs all over the world, and collaborated with artists from various countries...He is most noted for producing the worldwide dance club smash by Crystal Waters “Gypsy Woman”. He is especially well known in the UK, and Jockey Slut magazine dubbed him "Yankee King of Weird House”. Mu, originally from Toyohashi, Japan, is a charismatic performer, a singer who is often boisterous, sarcastic, antagonistic, profane and just plain bizarre. She also punctuates her performance with accomplished, unusual dancing.
gboothe wrote:The comment about "....never did a whole lot in the pros...." is what I was responding about.
That night in between shows in Tokyo, I asked Taro what’s a suitable Japanese phrase for “make some noise.” I was starting to get hit with jetlag and wanted to feed of the crowd’s energy. “No problem” he said. He wrote down on a scrap of paper “Motto tenna shin de.” After a couple songs I cleverly scanned my crib sheet before enthusiastically shouting: “Motto shin de!” The place went dead silent. The crickets paused to see what would happen next. Sincerely confused, we started the next song. By the end of it, I was still wondering what the hell everybody’s problem was. I rescanned the cheat sheet, and saw that I left out a word… “Motto TENNA shin de!” I howled again. This time the crowd exploded with cheers. After the show, Taro informed me that I had told the crowd not to “make noise” but go and “make death”. Basically, I told a room full of strangers that paid money to see me to go fuck off and die.
The next day we went to the immigration office in Yokohama. She [their visa consultant] advised us that if we plead ignorance and look sorry enough, they might take it easy on us. Personally, I was hoping to just keep my mouth shut and let her do the talking, but there was no telling which one of us they would want to talk to. Thankfully, they never called for us, Taro included. Which is a good thing, as Taro was wearing one of the Big Wu tour shirts he printed up. Not that Wu shirts are basis for deportation, but the shirts he printed sported a rather large image of a pot plant. If that wasn’t bad enough, bordering the photograph of the weed was all of our tour dates in full detail. Basically, all of the incriminating evidence they could ever ask for was boldly displayed on the promoter’s chest. So much for pleading ignorance. Can we file for too dumb to be held responsible?
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