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Random Nihonjin Pics - Part 2
by Taro Toporific » Fri Aug 15, 2008 2:49 am
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by kamome » Fri Aug 15, 2008 2:56 am
pheyton wrote:By the way, I know the Cho-Cho ass girl from above. She was my old co-worker, shit you not.
Did you bang her?
YBF is as ageless as time itself.--Cranky Bastard, 7/23/08
FG is my WaiWai--baka tono 6/26/08
There is no such category as "low" when classifying your basic Asian Beaver. There is only excellent and magnifico!--Greji, 1/7/06
FG is my WaiWai--baka tono 6/26/08
There is no such category as "low" when classifying your basic Asian Beaver. There is only excellent and magnifico!--Greji, 1/7/06
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by 2triky » Fri Aug 15, 2008 7:39 am
NoCityHeadAche wrote:You got a source for these? very nice.
Photographer Ruben Frosali.
http://www.reallyjapan.com
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by Greji » Fri Aug 15, 2008 10:18 am
2triky wrote:
Great shots trickey.... I just included the last one because I'm a DOM and would like to get into her game center. But really, great photos.
"There are those that learn by reading. Then a few who learn by observation. The rest have to piss on an electric fence and find out for themselves!"- Will Rogers
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by 2triky » Fri Aug 15, 2008 11:05 am
Greji wrote:Great shots trickey.... I just included the last one because I'm a DOM and would like to get into her game center. But really, great photos.
Hehe.
Right on. Glad you enjoyed them. That last photo...the woman has some serious calf muscles.
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by American Oyaji » Fri Aug 15, 2008 6:56 pm
2triky wrote:Hehe.
Right on. Glad you enjoyed them. That last photo...the woman has some serious calf muscles.
Yeah, she's got some nice gams. Not something you see everyday in Japan.
I will not abide ignorant intolerance just for the sake of getting along.
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by Maths Dude » Fri Aug 15, 2008 7:04 pm
Your photo's are shit.
The law: Everything existing on the physical plane is an exteriorization of a thought, which must be balanced through the one who issued the thought. (Percival)
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by 2triky » Sat Aug 16, 2008 12:38 am
American Oyaji wrote:Yeah, she's got some nice gams. Not something you see everyday in Japan.
That is what I was thinking. You usually don't see women that have that much muscle, or muscle tone for that matter.
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by Charles » Sat Aug 16, 2008 1:45 am
2triky wrote:
I am getting particularly tired of this "popular-on-Flickr postprocessing effect of the week." This "gritty look" processing effect is extremely popular now, and it's garbage. It is a means to get people to look at absolutely mediocre photos, they may have a "cool" effect but the content is still crap.
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by 2triky » Sat Aug 16, 2008 2:29 am
Charles wrote:I am getting particularly tired of this "popular-on-Flickr postprocessing effect of the week." This "gritty look" processing effect is extremely popular now, and it's garbage. It is a means to get people to look at absolutely mediocre photos, they may have a "cool" effect but the content is still crap.
It is a technique that is being employed more and more. Fortunately, Frosali doesn't resort to it too often, at least not in the random sampling of photographs I uploaded here.
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by Charles » Sat Aug 16, 2008 4:07 am
2triky wrote:It is a technique that is being employed more and more. Fortunately, Frosali doesn't resort to it too often, at least not in the random sampling of photographs I uploaded here.
He used the effect (in varying degrees) in every single photo except the B&W pics. The de-colorized photo (the one with only red in the tail lights of the car) is particularly bad, the effect mangles the midtones to the point of solarization.
If you can't take a decent photo, all the postprocessing in the world won't help. If you can take a mediocre photo, all that postprocessing is the easy way to turn it into crap.
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by 2triky » Sat Aug 16, 2008 6:29 am
Charles wrote:He used the effect (in varying degrees) in every single photo except the B&W pics. The de-colorized photo (the one with only red in the tail lights of the car) is particularly bad, the effect mangles the midtones to the point of solarization.
If you can't take a decent photo, all the postprocessing in the world won't help. If you can take a mediocre photo, all that postprocessing is the easy way to turn it into crap.
Ironically, the black and white photograph of the steps is my favorite one of the lot...but I don't dislike the other pictures as much as you.
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by Maths Dude » Mon Aug 18, 2008 9:35 pm
Another shit photo. Well done.
The law: Everything existing on the physical plane is an exteriorization of a thought, which must be balanced through the one who issued the thought. (Percival)
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by james » Mon Aug 18, 2008 10:42 pm
Maths Dude wrote:Another shit photo. Well done.
another shit post. well done.
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by kamome » Tue Aug 19, 2008 4:54 am
Maths Dude wrote:Another shit photo. Well done.
All you're doing is criticizing. How about posting some pics that rise to a level that suits your expectations?
YBF is as ageless as time itself.--Cranky Bastard, 7/23/08
FG is my WaiWai--baka tono 6/26/08
There is no such category as "low" when classifying your basic Asian Beaver. There is only excellent and magnifico!--Greji, 1/7/06
FG is my WaiWai--baka tono 6/26/08
There is no such category as "low" when classifying your basic Asian Beaver. There is only excellent and magnifico!--Greji, 1/7/06
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by Charles » Tue Aug 19, 2008 12:45 pm
2triky wrote:
Ah, another "Overused Effect o' the Week." This one is known as "The Leica Look" or as professional photographers would refer to it, "too contrasty." There's even a Photoshop Action to do this automatically. All but one of the B&W photos you posted use this stupid processing effect. Some digital snapshotters (I will not call them photographers) think this gives the linear curves of digital sensors some of the curved "heel and toe" (extended shadow detail and highlight detail) in film negatives. They're wrong. They think they're emulating the look of an old Leica rangefinder and Tri-X. They can't.
BTW, I just pulled my old darkroom equipment out of storage, for eventual sale. If anyone is still doing film, and you want to really learn the craft properly, I will offer you my vintage 1960s Gossen Labosix darkroom densitometer (complete in the original box, with manual and the rare calibration negative). I'll even throw in a free set of Kodak Polycontrast filters, and maybe a scan of Ansel Adams' book "The Negative."
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