
A world of his own: Create, erase, redraw
Asahi
Toru Honda boasts he is the archetypical otaku. A single guy, he lives alone in Nakano Ward, Tokyo. Fashion bores him. He buys his clothes exclusively from Uniqlo. His shoes cost 1,000 yen.
Honda splits his time between the Nakano Broadway shopping mall and Tokyo's Akihabara district. The nearby locale features shops selling video game figurines; the latter is the premier otaku oasis.
A 35-year-old freelance writer, Honda spends almost all his money on his otaku hobbies. He has eight DVD recorders. He can record up to 30 hours worth of animation a day. He bought a 45-inch LCD TV for 900,000 yen to watch his fantasy friends in delicious detail.
Honda has no girlfriend. He says he can't remember the last time he talked to a woman, excluding the 80-year-old owner of his apartment building.
He would be satisfied with his peaceful existence but for the public's tendency to turn up its collective nose at otaku. He says otaku are almost considered ``untouchables'' in a society that defines love as the most noble of human emotions....more...
I like this part:
According to the story [Densha Otoko], an otaku wants to get to know a woman he encountered on the train. He solicits romantic advice from bulletin board participants and keeps them apprised of his progress. The story has a happy ending, of course. The geek gets the girl and reaps the congratulations of his online advisers.
The predictable story irritates Honda. He says the heart-warming ending is not an otaku victory, but rather a failure.
``(Densha Otoko) is an otaku's surrender to `love capitalism.' What the main character should've done is turn the girl into another otaku and bring her to Akihabara,'' he says.