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A Japanese restaurant joins three French eateries in New York City awarded a coveted three-star Michelin rating as the respected guide warned chefs to focus on value for money amid a deepening financial crisis. Masa, dubbed "arguably the most expensive restaurant" by The New York Times, received three stars, joining Jean-Georges, Le Bernardin and Per Se, who retained the top rank they were first given four years ago when Michelin launched in New York...more...
omae mona wrote:I call bullshit. At 27 seats let's be conservative and assume he only cycles through 2 seatings and gets 54 customers total per day. He's making the claim, then, that his freight costs were $5400 daily before and now have gone down to $2700. I am sure refrigerated freight is not dirt-cheap, but I doubt the 1-way trip was costing anything close to $5400. (somebody correct me if I'm wrong)
He lowered prices because nobody is going to his restaurant anymore. It was all expense account business, and now if you pay $450 for a dinner you end up with a U.S. Senator asking you why you spent TARP money on sushi.
Sunday, Nov. 23, 2008
[SIZE="5"]
Ex-waiters sue Manhattan sushi joint Masa over tips[/SIZE]
NEW YORK (Kyodo) Ex-waiting staff of the Japanese sushi restaurant Masa have filed a lawsuit against the world-class Manhattan eatery, claiming they were cheated out of tips, the Daily News reported Friday.
In the suit, lodged with the Manhattan Supreme Court, more than 100 former servers at Masa are claiming damages of more than $1 million.
The plaintiffs in the case said Masa owner Masayoshi Takayama did not distribute to his staff the 20 percent gratuity he requires of all customers, the newspaper said.
They also said Takayama required the waiting staff to pool additional tips received from customers and split the money with nonservice employees, according to the paper.
TennoChinko wrote:+100
And, it's not like Masatoshi Takayama is known for his generosity...They also said Takayama required the waiting staff to pool additional tips received from customers and split the money with nonservice employees, according to the paper.
chokonen888 wrote:Some even claimed the restaurant took 50% of the total and left the other 50% to be divided among all the employees equally.
Typhoon wrote:Forgetabout the overpriced sushi.
$350 for head is far too much.
chokonen888 wrote:All the lemurs I knew in LA that worked under the table at Japanese restaurants would bitch about this. Some even claimed the restaurant took 50% of the total and left the other 50% to be divided among all the employees equally.
Samurai_Jerk wrote:The restaurant keeping any of the tips is fucking scummy as hell. I know of a Korean place in Seattle that kept 100%. It's also misleading the customers. Does anyone know what the legality of that is in the US?
chokonen888 wrote:it was just like being back in Japan, working for shit wages with no voice.
Samurai_Jerk wrote:How's that different from the US?
FG Lurker wrote:If I had to actually *pay* for the $200 steak I wouldn't be able to enjoy it as much. But when the company pays......
Over the past couple of years I have been lucky enough to eat quite a few $150 to $200 steak dinners. As someone who enjoys a good steak and has eaten my share of steaks I guarantee you there is no comparison between a $40 steak and a $200 one.
kino wrote:This subject is discussed at length in Dan Ariely's book, Predictably Irrational, when he talks about how people were unable to recognize a world class violinist dressed as a vagrant and performing in a busy New York subway. Of course, there was nothing different about the quality of the music that day except for the setting and people's expectations about the experience they were receiving.
Samurai_Jerk wrote:This experiment doesn't mean that the music wasn't any better. It just means that the average person can't tell the difference. I'm sure another world-class violinist would be able to tell.
kino wrote:Indeed, but that is kind of the point. To the average person, the music didn't stand out as being of superior quality. However, if you put the same poeple in the setting of a concert hall and have the same violinist perform the same set, they'd swear up and down that it was a masterful performance and well worth the price of admission.
Yokohammer wrote:As I remember quite a few people were impressed by the player's virtuosity and stopped to listen.
But that experiment was seriously flawed. They put the violinist in the entranceway of a busy subway station where loads of busy people were scurrying to get to and/or from work. Obviously people in a hurry aren't going to stop and listen even if they love what they're hearing.
To conclude that this proves that "average" people are incapable of recognizing quality in a setting in which they're not expecting it is just wrong.
On that Friday in January, those private questions would be answered in an unusually public way. No one knew it, but the fiddler standing against a bare wall outside the Metro in an indoor arcade at the top of the escalators was one of the finest classical musicians in the world, playing some of the most elegant music ever written on one of the most valuable violins ever made. His performance was arranged by The Washington Post as an experiment in context, perception and priorities -- as well as an unblinking assessment of public taste: In a banal setting at an inconvenient time, would beauty transcend?
kino wrote:All valid points. However, memory is a fickle thing. I'll up the ante with a source (granted, the WP is not my favorite source of news). From the article:
Yokohammer wrote:Looks like my memory is pretty good.
The experiment only proved that people who are too busy to stop and listen will not stop and listen. Not really a surprise.
To reiteriate, it does not prove that people are incapable of recognizing quality in the wrong setting. It does, however, prove that even a superlative musical performance is not going to deter busy people from getting to work.
Duh.
kino wrote:Only 6 or so even bothered to stop. Now, if I knew that a world class violinist was playing a few feet away from me in a public and free performance, would I spend 5 minutes to listen even at the risk of being late? Yes, and absolutely fucking yes. My boss can go blow goats if he is going to be upset at that. The majority of these people had no clue what they were listening too, and this was confirmed in subsequent interviews.
ChargerCarl wrote:That'll be a great story to tell your wife and kids when you get fired and lose your house.
kino wrote:You call it a "loaded" experiment. In fact, the results run counter to our intuition. Our intuition would suggest that exceptional talent would be noticed regardless of the setting. The results didn't back that up.
Yokohammer wrote:This is not "our" intuition. It may be yours, but it certainly isn't mine. I suspect you may be in the minority here.
If I'm on the run, in a crowd, and have things on my mind, I'm not likely to notice anything that will disrupt my train of thought unless I physically run into it.
This is just bad science. But even if it was a valid experiment it doesn't support your assertion that average people can't recognize quality unless they're in a situation in which they're predisposed to do so. This is nonsense.
Try a modified experiment on a more even playing field and then tell me what you find: put an amateur (not "bad," just amateur) and "world-class" instrumentalist side by side and ask people which they think is better. I think you'll find that most people can tell the difference.
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