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IkemenTommy wrote:The music industry just doesn't get it why they aren't generating enough revenues.
BRING THE COST DOWN
Charles wrote:Ptyx wrote:...And yes, the tax is given back to the music industry...
And no, none of it actually gets into the hands of musicians. It all goes to the "music industry" that needs the money for cocaine and whores.
Charles wrote:Ptyx wrote:...And yes, the tax is given back to the music industry...
And no, none of it actually gets into the hands of musicians. It all goes to the "music industry" that needs the money for cocaine and whores.
fatslug wrote:I still buy all my cds even in this age of technology !
WHY ? because im too fukn lazy to download shit !
fatslug wrote:I still buy all my cds even in this age of technology !
WHY ? because im too fukn lazy to download shit !
IkemenTommy wrote:http://tiftykk.blogzine.jp/big_kahuna_burger/files/iPod_sazae.mov
dingosatemybaby wrote:IkemenTommy wrote:http://tiftykk.blogzine.jp/big_kahuna_burger/files/iPod_sazae.mov
But when will the truth come out? Sazae-san ...
IkemenTommy wrote:http://tiftykk.blogzine.jp/big_kahuna_burger/files/iPod_sazae.mov
According to the Asahi (Japanese), an ipod tax is back on the table.
The Japanese government will propose this week a plan to charge copyright royalties on sales of iPods and other portable digital music players, as well as on digital hard disk recorders, a major daily newspaper reported Tuesday. The Agency of Cultural Affairs has not yet decided the amount of the fee, but it would likely be around 100 yen per device for an annual total about 1 billion yen. The proceeds would go to recording companies, songwriters and artists. Older devices, such as minidisk and DVD recorders, are already subject to a copyright fee. Representatives for the agency and Apple Japan Inc. could not be reached for comment, as offices were closed Tuesday for the Golden Week holidays. Despite an aggressive push by the Japanese recording industry, a similar proposal to impose an "iPod tax" fell apart in December 2005 after a government committee failed to reach consensus on the issue. Electronics makers are expected to mount strong opposition to the new levy, as they did on the earlier proposal. The inclusion of hard disk recorders in the proposal comes less than a month before the start of new digital content protection rules in Japan. Under the "Dubbing 10" standard, Japanese consumers will be able to make up to nine copies of a recorded digital TV broadcast.
Japan will stop pushing for legislation to charge royalties on the sales of iPods and other portable digital music players, giving in to opposition from electronics makers, officials said Thursday. What is being dubbed here as "the iPod tax" has been tossed around for years. The tax would allow about 1 percent to 3 percent of the price of a digital recording device to go to recording companies, songwriters and artists. The Agency for Cultural Affairs had hoped to submit legislation to Parliament as early as this fall. But amid a flurry of criticism from electronics makers, a meeting of a panel studying the proposal failed to reach any agreement Thursday, agency official Masafumi Kiyota said. "At this point, there is virtually no hope for getting the legislation passed," he said. The panel agreed to continue talking, but no date has been set, Kiyota said.
Despite an aggressive push by the Japanese recording industry, a similar proposal to impose an "iPod tax" fell apart in December 2005. The cultural agency proposed a compromise in May to charge only portable digital music players, such as iPods, and digital hard disk recorders. But the manufacturers resisted, saying more equipment could be added as a source for royalties. Older devices, such as minidisk and DVD recorders, are already subject to copyright fees in Japan. The payments are included in the price tag so most shoppers aren't even aware they're paying it. Kiyota said both consumers and electronics makers should be held responsible for paying copyright fees, and the proposed bill follows a global standard. Such systems exist in European nations. Opponents say the system is an obsolete way of monitoring purchases of digital music and other works at a time when they're growing more widespread. Others say consumers are getting charged twice because they are often already paying royalties on digital purchases.
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