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canman wrote:Any bets on him making another comeback? He did it once, and as Mulboyne stated, he really didn't do anything illegal
Yokohammer wrote:I think it's pretty clear that he wants to quit. He's been wanting to get out for some time.
He has other things on his plate, and this is a perfect excuse.
Dreamy_Peach wrote:That says a lot about Japanese TV.
canman wrote:Any bets on him making another comeback? He did it once, and as Mulboyne stated, he really didn't do anything illegal, so who knows. 6 shows is a lot to replace. I guess we will be stuck with more Owarai comedians.
MrUltimateGaijin wrote:but JTV is based on variety shows, the US is still not like that
MrUltimateGaijin wrote:but JTV is based on variety shows, the US is still not like that
American Oyaji wrote:The U.S. used to be like that.
Carol Burnett Show, HeeHaw, Dean Martin Show, Laugh-In
There were more, but the U.S. grew past it.
Samurai_Jerk wrote:Yes, there is a lot of shit TV produced in the US. I'm even willing to give Japan a pass on their shitty comedy shows since humor doesn't translate well but get back to me when Japan has made anything like The Sopranos or Breaking Bad.
;)"Yeah, I've been always awkward toward women and have spent pathetic life so far but I could graduate from being a cherry boy by using geisha's pussy at last! Yeah!! And off course I have an account in Fuckedgaijin.com. Yeah!!!"
Iraira wrote:It seems that J-TV (with the exception of documentaries) is geared to five or six types of fodder:
1) owarai,
2) variety shows with the same guests,
3) food shows (which I can deal with),
4) muzak shows,
5) police dramas, and
6) the person who must ganbarou, fail, and ganbarou again in order to learn a lesson about life, which is ganbarou, gaman, and shouganai.
but get back to me when Japan has made anything like The Sopranos or Breaking Bad.
Iraira wrote:Maybe I haven't been here long enough, but you maybe onto something. Many TV shows have become a part of American culture, even though they're only seen in reruns for the past 20-30-40 years. Shows like All in the Family, and MASH tackled social and global issues, which no J-TV show (even today)could even take a glimpse at. This may be slightly explained by the mono-culture in Japan and the lack of a 1960s "revolution" in Japan.
Coligny wrote:Have you spoken to or seen someone born after the end of the Vietnam war ? Because there have been quite some good show made after M.A.S.H. ya know...
Tour of duty, The Simpsons, X-Files(*), the New BSG (who was incredibly powerfull when watched parralel to the guantanamo/abu grahib clusterfuck). More minor but still picturing well their era (read, fooking stuck in the cold war, no kid born after 1990 will be able to understand the context): Airwolf, the Equalizer (with an awesome Edward Woodward).
(*) If you prefer staying in your time capsule, Try to catch the english tv show "Doom Watch" it's a 60' era wonder who share a lot of common feature, while being much more down to earth and without weapon grade cock blocking redhead.
Now in defense of them japanjins... Watch again the first episode of the first season of Space Pirate Captain Harlock. It's the most hamfisted criticism of japanese society seen since... well... forever I think...
For a much more recent approach of current madness, "Better of Ted" there is at least 2 season available. It's a story of an overachiever BOSS'ing in a Megacorp(tm) (actually Veridian Dynamic) doing anything including trying to weaponize pumpkins, totally nonsensical but ringing sooo truee...
;)"Yeah, I've been always awkward toward women and have spent pathetic life so far but I could graduate from being a cherry boy by using geisha's pussy at last! Yeah!! And off course I have an account in Fuckedgaijin.com. Yeah!!!"
I don't care for a lot of Japanese TV but it's not an entirely fair comparison to look at the highlights of TV overseas and ignore the rest. I posted some comments on FG back in 2005 which I believe are still valid:
Tokyo-- The Japanese, once one of the most TV-addicted people on the planet, are drifting away from the tube -- forcing networks to scramble for other sources of revenue, from pic production, satellite services, Internet streaming sites and other new technologies.
Daily TV viewing time, which averaged more than five hours in the 1970s, shrank to 3 hours and 28 minutes by 2010, according to figures compiled by the NHK Broadcasting Culture Research Institute.
Males aged 10 to 20 are watching less than two hours a day.
Meanwhile, program ratings have been trending downward for terrestrial networks, pubcaster NHK and commercial rivals TV Asahi, NTV, TBS, Fuji TV and TV Tokyo, despite spikes for major sport events and other special programming.
In June not one show on commercial TV in the 7 p.m. to 10 p.m. "Golden Time" slot won a rating of 10 or above -- once considered the minimum for survival.
Even long-running shows that once seemed immortal have either been axed or are on the brink. One that recently got the heave-ho after 43 seasons is period drama "Mito komon," which bowed in 1969. At its peak, the show's ratings reached as high as 43.7, but recently it has struggled to achieve double digits. Its last episode will air in December on MBS, an affiliate of TBS.
Typhoon wrote:It's interesting to compare and contrast the Japanese and Korean approach to cultural exports.
The Koreans have allowed their films and dramas to be subtitled and shown online under license (or not). Both have become quite popular. Same for music.
The result is that Korean culture is enjoying something of a boom in Asia and even elsewhere.
The Japanese appear to spend their time and energy trying to hunt down alleged copyright violators and having their films, dramas, and music pulled from popular sites.
The impression is that they also are very reluctant (or too demanding in terms of royalties) to license their media content for overseas viewing.
Very short sighted in my view.
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