Outright anger at the United States and a thirst for revenge are expressed in the Japanese artist Makoto Aida's "Picture of an Air Raid on New York City" (1996), using as a base the folding screen of an earlier tradition. In fake gold leaf, it depicts a formation of World War II Japanese bombers above a Midtown Manhattan in blazing ruins.
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Another heated Japanese entry is Hisashi Tenmyouya's "Tattoo Man's Battle" (1996), done in the style of a woodblock print. It presents an almost religious struggle between Japan, portrayed as a puny but fearless and resplendent mounted warrior wielding a glowing sword, and a steroidal sci-fi monster that looms over him, breathing fire and gripping a mighty weapon, an implacable symbol of the United States.
