No shit. Ouch!Mulboyne wrote:.. this article is trying to be so hip it hurts.
GPS devices on the handlebars?

GJ
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No shit. Ouch!Mulboyne wrote:.. this article is trying to be so hip it hurts.
Mulboyne wrote:Infused with a knowing, postmodern nostalgia for pre-Sony Tokyo
...the Golden Gai became a refuge for boozy intellectuals..
...a British architect who is an owner of a gallery-cum-nightclub, Super Deluxe, took me there. The secrecy cultivated by a bar....
....Le Baron, a branch of the celebrity-packed Parisian club, opened near Omotesando Street last December. Marc Newson...
... a trend spotter who recently started a concierge service...
IF YOU CAN'T FIND HIDDEN TOKYO
Don't despair. For a price, there are concierge services that will hand-lead you to secret, impossible-to-find spots. Bespoke Tokyo... run by two British expatriates
Red Floyd wrote:...it'd be nice to find a bar with the personality of Gas Panic, but without the noise.
Mulboyne wrote:Golden Gai, mentioned in the article, was recently rated a Tokyo highlight by the Australian edition of Vogue.
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jim katta wrote:Thus, the only kind of stuff you will ever read on this site that gets the thumbs up is random wacked out shit from Rob Pongi (or some similarly crazed clown), a crazy photo or product from Japan, or a historic text/film that has been around so damn long no one can legitimately find fault with it.
Take a look at this guy's reporting in the seventies: he wasn't a Japan hand but he wrote intelligently and there was very little like that in the late nineties. I think these days we now have more informed commentary on a wider range of subjects. Some of that is down to the internet. If a foreign bloke was deeply engaged with some obscure aspect of Japan in years gone by, you generally wouldn't hear about it unless you knew him personally or he wrote a book. Chances are now that he'll have a blog or photos on flickr."Newbie-style" seemed to proliferate from around the mid-90s. Journalists on the Japan beat found that their editors got tired of articles about Japan's decline or possible recovery because nothing tangible seemed to be happening either way. The only way they could get their byline in the paper/magazine more often was to come up with "wacky Japan" stories. About the same time, news agencies began to downsize their Tokyo bureaus - often covering Japan from Singapore or Hong Kong - so many writers had little in-country experience and ended up recycling the same stuff. Certainly, there will always be "first impressions" pieces about any country but "newbie" reporting is frustrating because it is just lazy journalism. Editors may have been less interested in Japan but that put the onus on journalists to dig deeper. It was shocking, for instance, how little information there was about politics in Japan. The Economist magazine often went two or three weeks without a single article about the world's second-largest economy.
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