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Jack wrote:Aside from the bars in Shibuya and Roppongi, where are the bars that I can take my wife to? There must be some bars with a mid-thirties or higher crowd of professionals. We are coming over in the next few weeks and would like to go out if we can. Any suggestions would be appreciated.
I thought we were boring losers.. You are the pro, remember. You tell us..Jack wrote:So I'm asking the pros on this forum.
Jack wrote:Any suggestions would be appreciated.
Doctor Stop wrote:It depends. Are you looking for a bar that makes people cry after they leave?
TFG wrote:What's with the anti Gaijin thing? Especially coming from a gaijin.
Are you afraid they are going to hit on your wife or something?
And how can it be a non Gaijin bar if YOU are in it?
Sounds like you have lost your keys man.
Mulboyne wrote:There are plenty of bars where you can guarantee that the ratio of Japanese to foreigners is 100:0 until you walk in. However, they they tend to be small places with room for about a dozen people . Rather than worry about the foreigner content, describe what kind of bar you like. If you want live music then it's important to say what kind of music you like.
You'll see foreigners in Amrta in Nishi Azabu but you'll also see some leading lights in the art world there. Up the road in Red Shoes, you'll find a lot of bands playing live but you'll almost certainly see some white faces as well. I just wouldn't get hung up on that.
Jack wrote:Most Japanese couples seem to spend lots of time fine dining, in izakayas, and hotel lounges, which is what we also do.
Jack wrote:Aside from the bars in Shibuya and Roppongi, where are the bars that I can take my wife to?
Captain Japan wrote:How are you going to troll for J-honeys while dragging an anchor?
Captain Japan wrote:How are you going to troll for J-honeys while dragging an anchor?
I think your best bet is to pick up a magazine like Tokyo Calendar or Tokyo Walker and go through the listings. There are tons of non-FG restauratns in each of those rags.
Jack wrote:Thanks, you can call Tokyo Calendar a rag but I subscribe to it. It talks mostly about restaurants and is a good reference magazine. Plus it's well-made. Tokyo Walker I buy when I'm in Japan and to be honest I have problems reading it. I do read and write Japanese pretty well and require not much translation. We are off to Tokyo next week.
Mulboyne wrote:You'll see foreigners in Amrta in Nishi Azabu but you'll also see some leading lights in the art world there. Up the road in Red Shoes, you'll find a lot of bands playing live but you'll almost certainly see some white faces as well. I just wouldn't get hung up on that.
In December 1981, a small bar named Red Shoes opened in the basement of a building next to the bus stop near Nishi-Azabu crossing. Though only a stone's throw from what is now a busy intersection, in those days as soon as the sun went down the area was deserted. In terms of partying, Roppongi was the front line and Shibuya had not yet come into play, which meant that Nishi-Azabu was the middle of nowhere at night.
There was no Hobson's or Ganpacho (the barn-size Japanese restaurant where the climactic fight scene in "Kill Bill: Vol. 1" was filmed). La Boheme, which now occupies the second floor of the same building that housed Red Shoes, had not yet opened. There were a handful of bars tucked here and there around the neighborhood, but they all operated well below the party radar -- meaning that they were either dressed up to look like restaurants or tagged as being for "members only."
Red Shoes posed as both. Its vivid red interior decorated with two large paintings -- one of Raijin, the god of lightning, and the other of Fujin, the god of wind -- created the perfect backdrop for the haute Chinese cuisine on offer from the kitchen. And the fact that most of the heavyweights of rock who toured Japan during the '80s would hold their official after-concert parties at Red Shoes meant that you would often find it closed to the public. You could, however, occasionally wangle your way in, which is how I once met David Bowie....more...
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