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  • fuckedgaijin ‹ General ‹ Media Fix ‹ Music

Kiyoshiro Imawano Dies

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Kiyoshiro Imawano Dies

Postby Mulboyne » Sun May 03, 2009 9:51 am

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Kiyoshiro Imawano, one of Japan's most eccentric and provocative rock musicians, has died at the age of 58. Imawano was not afraid to write about controversial subjects which meant he was frequently ignored by radio and television over the course of his career. Nevertheless, he built up a loyal fan base, worked with many of the country's leading musicians and became a highly-respected figure in the industry, known for impressive live performances. He also worked as an actor and appeared in a number of films including Takashi Miike's The Happiness of the Katakuris. There's a reasonable summary of his career in the entry for his first band RC Succession over on Nippop.. One the songs which got Imawano into trouble was Our Beloved North Korea which he performed with his side project The Timers:

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The lyrics aren't especially biting but the topic was considered sensitive enough for radio station Tokyo FM to block a performance of the song when he performed it during an Earth Day concert at the Budokan. Imawano had run into trouble with Tokyo FM before when they refused to play one Timers song in the late 80's. He had made his feelings clear in a later TV appearance. At around 2:10secs in the video clip below, the band ignores the scheduled set list and plays Tokyo FM which slams the station for censorship. This unpredictability was anathema for Japan's major media companies who often decided it was safer not to let him on the air.

[YT]yfK3KLT9TwU[/YT]

Even relatively late in his career, Imawano was no stranger to controversy. He decided to record a rock version of national anthem Kimigayo in 1999 but Polydor refused to release it so he was dropped by the label and had to put it out independently. You can see him below performing the song with guitarist Tomoyasu Hotei:

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Imawano even managed the unheard of feat of being censored by an independent label. In one song in 2000, he criticized Japan's live music scene, in particular the regular practice where new bands have to pay to perform live. The owner of Shimokitazwa's Que was angered by this which was important because Imawano's indie deal was with a company linked with Que and his album was dropped. It did eventually get a release and most fans thought his criticisms were valid.

Imawano was nevertheless a much-loved figure. When he revealed he needed treatment for throat cancer, the announcement received wide coverage and numerous messages of support. He made a full recovery in 2007 and his comeback concert was a major success. In July last year, however, Iwawano went to hospital with a pain in his leg and the hospital found another cancer had already spread to his bones. Ironically, on the same day he found out the results, TV Asahi was showing a programme about his earlier recovery. He continued to perform occasionally, appearing with Booker T & the MGs at Tokyo's Bluenote as recently as December 2008. This time, the cancer was too far advanced to respond to treatment and he died yesterday morning in hospital.
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Postby Yokohammer » Sun May 03, 2009 10:56 am

This is a bummer.
Imawano was an interesting person with some really good ideas.

I had an opportunity to chat with him for a while quite a number of years ago, and he was such a gentleman it was almost a shock in contrast to his artist persona. Level headed, intelligent, and very articulate.

Of course his outspokenness didn't win him a lot of support in the industry, but he was true to his ideals, and I can't help but respect that.
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Postby Mulboyne » Sun May 03, 2009 2:03 pm

Billboard Magazine notes his passing:

Japanese Rocker Kiyoshiro Imawano Dies
Japanese rocker Kiyoshiro Imawano, leader of the groundbreaking band RC Succession and later a solo act, has died in Tokyo at 58. RC Succession started as a Ventures cover band in 1966 but moved on to be one of the leading rock bands in Japan with their 1972 hit record "Shoki no RC Succession." From that time the act was a staple of the Japanese rock scene and they also received international attention. In 1982 RC Succession took part in the high-profile "The Day of R&B" festival at which Chuck Berry headlined. Unusual for Japan, Imawano was active politically and recorded anti-nuclear tracks as well as spoke out against war and for Tibetan freedom. In his later years Imawano performed under his own name and was a favorite at the industry-leading Fuji Rock Festival. He appeared at the festival, which started in 1997, in 1998, 1999, 2002, 2004 and 2005. He was scheduled to appear in 2006 but was diagnosed with throat cancer and was forced to cancel. Imawano succumbed to lymphatic cancer early Saturday morning.

I had this picture of Imawano kicking around on my PC for a while. He had agreed to voice a character called Lord Royal Highness in an episode of Spongebob Squarepants, a part taken by David Bowie in the original. It seemed wonderfully incongrous so I meant to put in the Random Nihonjin gallery but never got around to it.

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Postby Behan » Tue May 05, 2009 10:17 pm

Mulboyne wrote:
Imawano even managed the unheard of feat of being censored by an independent label. In one song in 2000, he criticized Japan's live music scene, in particular the regular practice where new bands have to pay to perform live. ..


This is madness!

No, This Is Japan!
His [Brendan Behan's] last words were to several nuns standing over his bed, "God bless you, may your sons all be bishops."
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Postby Mulboyne » Sun May 10, 2009 4:06 pm

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Tens of thousands turned up at the memorial service including many leading lights from Japan's entertainment world.

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Postby Samurai_Jerk » Sun May 10, 2009 4:43 pm

he criticized Japan's live music scene, in particular the regular practice where new bands have to pay to perform live.


I have a feeling that this wasn't exacly explained properly here because I don't really understand what the issue is.
Faith is believing what you know ain't so. -- Mark Twain
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Postby Mulboyne » Sun May 10, 2009 5:08 pm

Samurai_Jerk wrote:I have a feeling that this wasn't exacly explained properly here because I don't really understand what the issue is.


In Europe and America, budding musicians and bands can usually find a venue which will let them perform free of charge or maybe will even pay them a small sum. They can use the experience to get their act together, build a following and try to get a foothold in the business.

In Japan, if you want to play a live venue then you will have to pay. Usually this takes the form of guaranteeing to buy a certain number of tickets which you then try to sell on to friends, family, whoever. If you can't sell your quota then you have to pay the venue out of your own pocket. In effect, many small, independent live venues are no more than rental rehearsal studios with a bar. If I recall correctly, this was one of AssKissinger's bugbears when he was performing in Japan with his band.

It may not sound significant but it means there is a completely different mindset. A British venue owner, for example, sees bands an an asset to his business. If he finds good bands and pays them to play, they will bring in punters who will buy drinks. If his venue gets a reputation for hosting good music, people will turn up on spec without knowing who is on the bill which is good for him and good for the band because they get to play to a new audience.
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Postby Samurai_Jerk » Sun May 10, 2009 5:22 pm

Mulboyne wrote:In Europe and America, budding musicians and bands can usually find a venue which will let them perform free of charge or maybe will even pay them a small sum. They can use the experience to get their act together, build a following and try to get a foothold in the business.

In Japan, if you want to play a live venue then you will have to pay. Usually this takes the form of guaranteeing to buy a certain number of tickets which you then try to sell on to friends, family, whoever. If you can't sell your quota then you have to pay the venue out of your own pocket. In effect, many small independent live venues are no more than rental rehearsal studios with a bar. If I recall correctly, this was one of AssKissinger's bugbears when he was performing in Japan with his band.

It may not sound significant but it means there is a completely different mindset. A British venue owner, for example, sees bands an an asset to his business. If he finds good bands and pays them to play, they will bring in punters who will buy drinks. If his venue gets a reputation for hosting good music, people will turn up on spec without knowing who is on the bill which is good for him and good for the band because they get to play to a new audience.


I got ya. Yeah, that is fucked but I don't care that much since I usually hate going to bars that have live music anyway.
Faith is believing what you know ain't so. -- Mark Twain
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