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Japanese film a hit at London Festival

Movies, TV, music, anime other random J-pop culture phenomenons. Also film/video production, technical discussion, cast and crew calls, etc.
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Japanese film a hit at London Festival

Postby Mulboyne » Sat Nov 06, 2004 12:50 am

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This film has just been shown in the London film festival and was very well-received. I can't yet find a listing for it on imdb.com even though it opened a year ago in Japan. Takashi Miike's "Izo" was also shown but got a thumbs down.

The Complete Japanese Showa Song-Book (Showa Kayo Dai Zenshu)
A fateful encounter on the night streets of a Tokyo suburb leads to a murder: a flaky young man propositions a middle-aged woman, and stabs her to death when she rejects him. But both the murderer and his victim were members of gangs. The woman was one of six professionals (all divorced and all, coincidentally, named Midori) who convene for social evenings and have the wealth and connections to plan a revenge attack before the police investigation takes its course. The young man belongs to a gang of layabouts who may have seen A Clockwork Orange once too often: they live to party, and their parties consist of dressing up and performing the greatest pop hits from the Showa Era (i.e., Emperor Hirohito's reign) - with the odd spasm of ultra-violence thrown in. Warfare between the two gangs breaks out and rapidly escalates to a cataclysmic scale... Shinohara's febrile black comedy is based on a notorious novel, but it leaves its literary source standing. Partly because it has an impossibly glamorous cast, headed by Ryuhei Matsuda (Gohatto) and Masanobu Ando (Kids Return), and partly because its director knows the exact point at which pleasure shades into exquisite pain.
UK Times review
Any further plot analysis is not especially rewarding; there's a faint satire on the nature of war lurking somewhere in the background, but The Complete Japanese Showa Songbook is better enjoyed as a gory farce. It also contains a scene in a hardware shop among the funniest at the festival so far, as well as a pint-for-pint blood count to match the most violent that Hollywood can offer.
Japan Times review Here
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Showa Singers "Dirty not Cute"

Postby Mulboyne » Mon Jan 30, 2006 10:52 am

In a slightly-related story...

TMC: Japan enjoys revival in songs from Showa days

Yukari Onishi, 41, called the "Queen of Showa Period (1926-1988) songs," lives in the Shinsekai area in downtown Osaka, near the famous Tsutenkaku Tower, which is modeled after the Eiffel Tower and surrounded by high-rise buildings. At the Tsutenkaku Song Theater, Onishi, wearing a stylish miniskirt, sang popular 1970s tunes such as those by Maki Asakawa, Seri Ishikawa and Mirei Kitahara, before an audience of all ages. "I like her unrefined songs," said a 53-year-old housewife from the city of Izumisano, southern Osaka Prefecture. "I feel calm as if I am listening to songs at an old shop." Her songs seem fresh to the young generation. "It is good that Onishi is singing songs according to her own interpretation," said Katsuhiko Numata, 36.

The term "Showa Period songs" started popping up in the music industry around 2000, 10 years after the era ended. The Crazy KenBand and Ringo Shiina made their debut during these years, and their songs harmonizing Japanese melodies with rock 'n' roll, jazz and Latin music were part of this era...more...
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Postby Mulboyne » Fri May 02, 2008 1:25 am

DVD Talk Review: Karaoke Terror - The Complete Japanese Showa Songbook
If you think of current genre Japanese cinema but can't get much past Takashi Miike or the Ringu movies, you'll be pleasantly surprised (and shocked, of course) by Karaoke Terror, a film that melds any number of Japanese sociological concerns into a thoughtful, enjoyable and - of course - totally weird experience...

...Karaoke Terror describes an interesting pair of contrasting paths, as modern day ennui leads to a high spasm of emotion; a flashing blade, gorgeous arcs of blood, sun-dappled leaves and a twitching body in the mud - with sprinklers splashing and cicadas methodically chirping. It's a beautiful, poetic scene that questions how we might escape from the troubled lockstep of dehumanizing economic growth at its most base. This glorious, fleshy act leads slowly downward, though, as passion for revenge sinks into rote retaliation. Both Midoris and Youth begin to glaze over, no longer weeping for their fallen, but only seeking more devastating ways to kill - as the explosions spiral upward in intensity, feelings shrivel. Even the karaoke routines follow this see-saw motion- never a true focal-point, just a means of framing the message through music - the numbers get more outlandish as emotions become detached. Third Reich S & M drag-shows and humiliating sexual couplings in the bathroom show how far out of touch, and how in need of real emotions theses Japanese citizens have become.

But there are bazookas, severed limbs and javelins-to-the-neck, plus plenty of sly humor and elements of parody that keep Karaoke Terror from become a pedantic treatise on post-modern Japan and 21st Century warfare. Between savage acts we see the Youths as real young males, jovially bonding over meals, cigarettes and juvenile humor. Meanwhile, the Midoris commiserate, go out singing and get drunk, and generally do the kinds of things that hint at the humanity under their cloaks of 'respectability.' Aside from cultural differences that will distance the rest of the viewing world from particularly Japanese behavioral patterns, Terror is chock-full of realistic, engaging performances that bring believability to all but the most outrageous acts. If you don't exactly care whether these breathing automatons live or die, you'll never doubt their feelings. And if the songs don't quite turn you on, it's no big surprise, in the end the songs are either just enough to motivate, or not enough to discourage, the kind of thinking we've all feared since the dawn of the Atomic Age...more...
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Re: Japanese film a hit at London Festival

Postby Buraku » Wed Jan 04, 2023 11:53 am

Japan’s Bizarre Horror Comedy
https://www.tokyocowboy.co/articles/hou ... ror-comedy

Hirokazu Kore-eda on his new Netflix series and the future of Japanese cinema
https://www.timeout.com/tokyo/news/hiro ... ema-122322

The Rashomon effect: a new look at Akira Kurosawa’s cinematic milestone of post-truth
https://www.bfi.org.uk/features/rashomo ... a-kurosawa
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Re: Japanese film a hit at London Festival

Postby Coligny » Wed Jan 04, 2023 9:21 pm

Buraku wrote:Japan’s Bizarre Horror Comedy
https://www.tokyocowboy.co/articles/hou ... ror-comedy
a


Thanks, we only discussed this movie 20 times already.

Maybe a new wacky find about Die Antwoord too ? A good friend of someone told another someone that they were shameless hillbillies over some chocolates during the last party at the ambassador’s mansion…

You can also go full retard with the usual panties vending masheen absolutely everywhere in the country… never gets old…
Marion Marechal nous voila !

Verdun

ni oubli ni pardon

never forgive never forget/ for you illiterate kapitalist pigs


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