
This story has been picked up on 2 Channel where, interestingly, it seems that most people broadly agree with Dave Spector.
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DrP wrote:The only dramas I know that are popular in other parts of Asia and have any 'eye candy' are produced by companies like SOD, Moodyz, etc. Everything else is basically crap.
2triky wrote:Gotta agree with Spector and others here who have chimed in on this topic. Japanese TV dramas have become largely become vehicles for young idols to further their exposure, which often has nothing to do with whether they can act or not. Japanese TV dramas have become hijacked by idols represented by the likes of Johnny's Jimusho and other similar talent agencies. Comparing dramas today with those released in the last decade one can discern an obvious difference in terms of the quality of the acting and the storytelling.
;)"Yeah, I've been always awkward toward women and have spent pathetic life so far but I could graduate from being a cherry boy by using geisha's pussy at last! Yeah!! And off course I have an account in Fuckedgaijin.com. Yeah!!!"
Iraira wrote:The storylines are too contrived. They pick a segment of the working populace that a people can somewhat identify with and make a ganbarou story out of it, usually with a bittersweet ending. Can't everyone just die of Ebola or be kidnapped by N. Kor agents in the end? When I got some grasp of the J-go, I tried, I mean I tried to watch these dramas, but too many models/popstars trying to act like regular OLs was too much for me to suspend disbelief.
Even the comedy shows have become clones of themselves. If I see another bedpan fall from the ceiling and bounce off someone's head, I swear...The 3 Stooges should sue the fuck out of all the Kansai comedians for stealing their schtick (yeah, I know the Stooges are all dead... except for Iggy).
Jack wrote:You seem to know all the players in that market. As much as I would like to defend J-dramas I do think many of them are super Cheesy and over the top sentimental and so on. But many of the actresses that I have know are because of the dramas. Norika Fujiwara, Miki Nakatani, Riyoko Hirosue and Nanako Matsushima, just to name a few. (Note that aside from Kimutaku I don't know any male actors' name.)
hundefar wrote:Oh yeah? Well how do you think I feel? I want to do him up the behind
hundefar wrote:Oh yeah? Well how do you think I feel? I want to do him up the behind
;)"Yeah, I've been always awkward toward women and have spent pathetic life so far but I could graduate from being a cherry boy by using geisha's pussy at last! Yeah!! And off course I have an account in Fuckedgaijin.com. Yeah!!!"
;)"Yeah, I've been always awkward toward women and have spent pathetic life so far but I could graduate from being a cherry boy by using geisha's pussy at last! Yeah!! And off course I have an account in Fuckedgaijin.com. Yeah!!!"
Western All Stars wrote:Anyone else ever notice every time a j-drama has a high class scene like a really fancy restaurant or dinner party, there are always white people in the background?
sublight wrote:Notice them? Hell, I've made a nice chunk of change being them.
DrP wrote:The only dramas I know that are popular in other parts of Asia and have any 'eye candy' are produced by companies like SOD, Moodyz, etc. Everything else is basically crap.
Private TV stations have begun broadcasting documentaries during "golden time" prime-time TV viewing hours, a sign they have changed their policy from trying to attract young people to one catering to adults. In an article in the latest edition of "Chosa Joho" (Research Information), published by TBS, author Wahei Tatematsu said daily TV fare was like young people's untidy rooms being shown to the public. All private TV programming is uninteresting, he said. "The only things they consider are from which angle and part of the room they'll broadcast. Talks by TV personalities are all the same, regardless of the program," Tatematsu wrote. TBS has decided to significantly change its autumn programming schedule to raise its low viewer ratings. On Wednesday evenings, it will broadcast four new programs targeting adults, including the documentary program "Wednesday Nonfiction" at 9 p.m. The first such documentary, scheduled for Oct. 15, will focus on the U.S. presidential election. This is the first time in 12 years TBS will have broadcast a documentary during the golden time hours of 7 p.m. to 10 p.m.
NHK has taken the position that documentaries, such as its "NHK Special" series, are its primary mission, but private TV stations have been reluctant to air documentaries because such programs cannot draw high viewing rates. Other networks' prize winning documentaries, such as "NNN Document," produced by NTV and its affiliated stations, and TV Asahi's "Telementary" program, are aired at midnight. Takashi Yoshizaki, head of TBS' Programming Division, said the gap between broadcasters and viewers had widened. "Private TV stations have not provided programs capable of satisfying the expectations of middle-aged and elderly people, who are concerned about social problems, such as those related to pension benefits and the medical system," he said. According to Yoshizaki, TV program sponsors also have changed. "Variety shows starring popular TV personalities can no longer readily attract sponsors. For its part, the 'Wednesday Nonfiction' series is selling well among sponsors," he said.
Starting Nov. 3 at 7 p.m. on Sundays, TV Asahi will broadcast "Hodohatsu, Documentary Sengen" (Documentary Declaration from the Newsroom), which will highlight "people in the news" and their associates, shedding light on lesser-known aspects of society. Wowow TV also began on Sunday a documentary titled "Kuesuto: Tankyushatachi" (Quest: Seekers). The reason private TV stations have turned to documentaries to try to increase viewers is that NHK's documentaries have enjoyed high ratings among middle-aged and elderly people. According to Video Research Ltd., in the Kanto region, NHK scored the highest average viewing rate of 13.6 percent during the golden time hours in the first half of the year, while Fuji TV was second at 13.2 percent. At a regular press conference Oct. 2, NHK President Shigeo Fukuchi said the network's news programs, "Kurozu Appu Gendai" (Today's Close-up), the "NHK Special" series and the "Atsuhime" TV drama have enjoyed high viewership. "This is a result of efforts by NHK staff to produce good programs instead of those targeting high viewing rates," he said.
Producer Tsutomu Konno, vice chairman of TV Man Union Inc., said the number of young people wanting to produce TV programs has been declining. "On the other hand, adults lament that there are no programs they want to see because there are only variety shows," he said. According to Konno, public opinion of TV programming has fallen. Private TV stations obsessed with raising viewer rates have finally come to realize they have to change their policies, he said. However, Konno warned that viewers would turn away from documentaries if producers only made tear-jerking documentaries with predictable endings aimed at trying to strike a chord in the hearts of viewers. "Documentaries cover a wide range of areas and have depth. I hope producers of each TV station will have the ability to select interesting themes and recruit talented people who don't work for TV stations," he said.
It takes time for new programs to take hold among viewers. Low-key documentaries that need digesting especially require time to be appreciated. If private TV stations plan to take on the challenge, knowing the bumpy road ahead, they should place priority on good programming content and be prepared to be patient for a long time.
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